consulting
CD projects exhibit a tendency to soak up money and energy yet frustrate their target users. That's why identifying the potential and the pitfalls will help define the realities.

CD projects must 'push the technology envelope' but never run aground. To achieve success there must be a clear set of objectives for the finished product to meet. Expectations run high. Everyone's an 'expert' at viewing high production value television - if it's not good enough they change channels. So no matter how much content you put on a disc - if it leaves viewers cold or it runs badly - then it's all a waste of time.

We can help at the 'brainstorm' stage of a project and propose innovative yet practical new media techniques which inject vitality and technical reality into every element.

We'd be happy to preview any project you have in mind. To start off with, here are some frequently unanswered questions you could be facing;

 

Why are many CD-ROMs boring?
Commissioning CD Projects is a big enough step without treading into unfamiliar media territory. So, often, content is specified according to traditional print restraints without accessing the rich palette of interactive possibilities. You need to be braver.

What's the best kind of video to use?
For standalone 'movies', the most reliable format is MPEG, which provides pretty seamless performance on most computers running 300Mhz or more. Some of the more esoteric Codecs require much faster computers for smooth running.

How much information can you get onto a CD?
There's obviously a simple megabyte answer to this. Having crammed a three inch thick directory into less than a quarter of a CD's capacity we're optimistic about what can be done. Put it this way. So far, we haven't come across a project that won't fit onto a single disc.

How fast is the typical playback machine?
Reckon on 200Mhz and above. Which means that most of the techniques we're proposing will run on the majority of computers. Where special functions are required, (e.g. Powerpoint playback) programs can check for particular software on a PC, and offer to install it from the CD ROM if necessary. However, there are PCs in offices that do not have sound enabled and it's worth bearing this in mind when specifying business projects.

Why should CD ROMs be developed for typical computers?
Some years back, a 'breakthrough' CD ROM promoting a car flashed up the following alert, 'Please turn off your sound card to ensure this program runs smoothly'. This begged the question whether the car itself would drive properly with its stereo switched on? There's no point in developing projects that run impressively from the author's gigahertz PC hard disk, if it disappoints a typical, prospective customer.

What's the most cost effective way of adding 'richness' to a project?
Without doubt, video has come of age on the computer. There are no problems in including high quality playback within any project. And the new generation of mini-DV cameras and editing software means that informative, entertaining sequences are no longer prohibitive to produce. Maximum bang for minimum bucks.

Is it expensive to build both for Mac and PC?
New media tools are pretty seamless these days across Mac and PC platforms. Typically, creating a second version should add no more than 10% to the overall cost of a project.

Can rich CD-ROM content be delivered across the web?
Take a look at our demo map page and you'll see many examples of rich content running on browser plugins. So, the answer is 'yes', as long as the end-user has the bandwidth to run the programs smoothly. Until everybody gets broadband, CDs will remain the only way of guaranteeing an immersive media experience.

Will anyone watch ?
Many CD-ROMs can be likened to advertising. Only one in ten people read past the headline of an ad - and the same can be true of CD-ROM. The 'offer' and so the title, the packaging and the printing all have to appeal to get the disc as far as the drive. Then, it has to run properly.

Can CD-ROMs easily be customised for individuals?
If you opt for the economy of mass replication, you can still use a means of customising disks for individuals. This can be achieved by creating password protection to access specific content or to select specific sequences or menus. You then encode all these variations in a protected database included on the CD, and tell individuals how to 'unlock' their personal versions.

What do you do with obsolete CD-ROMs?
A great suggestion - at your own risk

Is there really a fungus that eats CDs?
Yes. It appears to be limited to tropical climates.
http://www.rense.com/general11/des.htm


There is more useful information on our links and resources page

 

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